"To create one's own world,
in any of the arts, takes courage".
in any of the arts, takes courage".
- Georgia O'Keeffe
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| © Lucia Guarnotta |
Each year I used to participate in a traditional art exhibition held in my town during the summer, called "Rotonda" where I met a publisher and licenser who was looking for an artist for some dog art prints, so it began my career as illustrator. The first illustration I was commissioned to do represented a couple of dog puppies playing on the grass, created with tempera on paper.
TFCM: How did you develop your art style? There is no trick or secret, only practice and patience and good masters at school! I went through different stages: at first when I was very, very young my paintings looked like vector images with no shades, made by a complicated interlace of flat fields of colors. Then they became more and more realistic over time but always with a solid detailed drawing on the background.
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| © Lucia Guarnotta |
TFCM: What challenges have you faced in developing as an artist? Challenges ... well, every time I begin a new illustration or project is a challenge ... the real challenge for an artist is to be able to express their own feelings, poetry, his or her world beyond the mere illustration and even beyond the actual subject of the illustration or painting. It doesn't matter what you are drawing or painting, the challenge is to express your thoughts, express yourself. Actually it can be a little difficult when you work on someone else's project, as an illustrator I mean .... it's sometimes frustrating, but it is also a job, not pure art! The challenge in this case is to be able to mediate between your art and the job!
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| © Lucia Guarnotta |
TFCM: In your view, how does knowledge and experience influence an artist's work? Each person is influenced by their own background, experiences, knowledge, culture, and for artists it is not different. The knowledge of art and its history could be an important beginning point.
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| © Lucia Guarnotta |
TFCM: Can you share a routine technique you use in your paintings? Once again no trick... I begin with the drawing that it must be as much detailed as possible, I spend a lot of time on drawing, developing, and finishing each part of it. It is better, easier and faster to draw by hand, even the illustrations that will be then painted using a computer with software like Photoshop or Corel Painter. Then I go on with the painting process with the chosen media, usually beginning from the background and according with the media technique.
TFCM: What is your view on the development of an artist's style? The artist style comes from different aspects, first of all from their own skill, then from their personal way to "feel the world," and then from the goal they have chosen for their work. The style of an artist develops with their own painting technique; they are often the same thing.
TFCM: What were some challenges in selling your work? I
have a very detailed and realistic style. It means a lot of work and a lot of hours, everybody usually appreciates this so the challenge in the past was only to be paid enough, but now it's to find good commissions. Due to the global crisis the publishers and manufacturers tend to save as much money as possible, well, here in Italy at least ... so there are fewer jobs for illustrators like me in comparison to the past decade.
What's more, in the past I've worked most as a naturalistic illustrator, due to my style. I worked a lot in this branch of illustration and I had little time and interest, even economic interest, to develop a different style... maybe an "quicker" or a "fictional style" that now I could sell more easily! It is my fault of course, my mistake! There is also to say that there are a lot of wonderful illustrators from the eastern countries near Italy, where life costs less and who can work for lower rates in comparison to an Italian illustrator. There is not only one reason of course, but now it is not an easy life!!
What's more, in the past I've worked most as a naturalistic illustrator, due to my style. I worked a lot in this branch of illustration and I had little time and interest, even economic interest, to develop a different style... maybe an "quicker" or a "fictional style" that now I could sell more easily! It is my fault of course, my mistake! There is also to say that there are a lot of wonderful illustrators from the eastern countries near Italy, where life costs less and who can work for lower rates in comparison to an Italian illustrator. There is not only one reason of course, but now it is not an easy life!!






Exquisite art!
ReplyDeleteTruly, a pleasure to behold.